Nicolas Poussin

Nicolas Poussin, self-portrait

Nicolas Poussin (15 June 1594 – 19 November 1665) was a leading French Baroque painter who spent most of his working life in Rome. His work is characterized by clarity, logic, and order, and he favored line over color. Poussin's paintings often depict scenes from classical mythology, the Bible, and ancient history.

Early Life and Education

Nicolas Poussin was born in Les Andelys, Normandy, France. He showed an early talent for drawing and was sent to Paris to study under the tutelage of Quentin Varin, a local painter. Poussin's early works were influenced by the Mannerist style, but he soon developed a preference for the classical art of the Renaissance.

Career in Rome

Poussin moved to Rome in 1624, where he was influenced by the works of Raphael and the ancient Roman sculptures. He became associated with a circle of intellectuals and artists, including the poet Giovanni Battista Marino.

The Death of Germanicus, 1627

In Rome, Poussin painted "The Death of Germanicus" (1627), a work that established his reputation. This painting exemplifies his mastery of composition and his ability to convey emotion through the depiction of historical events.

Artistic Style and Themes

Poussin's style is marked by a disciplined approach to composition and a focus on the intellectual aspects of painting. He often depicted themes from mythology, history, and the Bible, using them to explore human emotion and moral lessons.

Venus and Adonis, c. 1628-29

His painting "Venus and Adonis" (c. 1628-29) is a prime example of his mythological works, showcasing his ability to blend narrative with classical form.

Later Works and Legacy

In his later years, Poussin continued to refine his style, producing works that were more austere and philosophical. His "Landscape with Orpheus and Eurydice" (1650-51) and "Landscape with Blind Orion Searching for the Sun" (1658) are notable for their integration of landscape and narrative.

Landscape with Orpheus and Eurydice, 1650-51

Poussin's influence extended beyond his lifetime, impacting artists such as Jacques-Louis David and the Neoclassical movement. His emphasis on classical themes and structured composition set a standard for academic art in France.

Related Pages

• Baroque painting
• French art
• History of painting
• Neoclassicism