File:La Marseillaise Rouget de Lisle Musique de la Garde Républicaine.ogg

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La_Marseillaise_Rouget_de_Lisle_Musique_de_la_Garde_Républicaine.ogg ‎(file size: 5.54 MB, MIME type: application/ogg)

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Summary

Description
English: La Marseillaise (words and music by Rouget de l'Isle)

Band of the Garde Républicaine, directed by François-Julien Brun. Recorded at the Théâtre des Champs-Elysées.

Columbia DF 3263 CL 8602
Date
Source Youtube
Author Rouget de l'Isle
Permission
(Reusing this file)		 Columbia DF 760 L 3407 is a 78 rpm record. The format was obsolete by 1950, the record is thus older than 50 years. Music and words in the Public Domain since the 1880s.
Timed Text
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In other languages

العربية ∙ Aanteegan an' Baabyuudan ∙ asturianu ∙ български ∙ বাংলা ∙ català ∙ čeština ∙ Deutsch ∙ English ∙ Esperanto ∙ español ∙ euskara ∙ فارسی ∙ français ∙ Frysk ∙ galego ∙ עברית ∙ हिन्दी ∙ hrvatski ∙ Bahasa Indonesia ∙ italiano ∙ 日本語 ∙ 한국어 ∙ македонски ∙ Mirandés ∙ မြန်မာ ∙ Nederlands ∙ Orunyoro ∙ polski ∙ português ∙ português do Brasil ∙ русский ∙ sicilianu ∙ srpskohrvatski / српскохрватски ∙ slovenščina ∙ svenska ∙ తెలుగు ∙ ไทย ∙ Türkçe ∙ Orutooro ∙ українська ∙ Tiếng Việt ∙ 粵語 ∙ 中文 ∙ 中文（中国大陆） ∙ 中文（简体） ∙ 中文（繁體） ∙ 中文（香港） ∙ 中文（新加坡） ∙ 中文（臺灣） ∙ +/−

Licensing

Composition
Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

العربية ∙ English ∙ español ∙ français ∙ 日本語 ∙ 한국어 ∙ македонски ∙ русский ∙ Tiếng Việt ∙ 简体中文 ∙ 繁體中文 ∙ +/−
Performance
Public domain
This work is in the public domain because it was published in the United States between 1930 and 1963, and although there may or may not have been a copyright notice, the copyright was not renewed. For further explanation, see Commons:Hirtle chart and the copyright renewal logs.
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (70 years p.m.a.), Mainland China (50 years p.m.a., not Hong Kong or Macao), Germany (70 years p.m.a.), Mexico (100 years p.m.a.), Switzerland (70 years p.m.a.), and other countries with individual treaties.

العربية ∙ Deutsch ∙ English ∙ español ∙ français ∙ galego ∙ italiano ∙ 日本語 ∙ 한국어 ∙ македонски ∙ português ∙ português do Brasil ∙ русский ∙ sicilianu ∙ slovenščina ∙ українська ∙ 简体中文 ∙ 繁體中文 ∙ +/−

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current02:42, 29 November 2017 (5.54 MB)Illegitimate Barristercropped

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