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[[file:Duke_and_gonzo.png|thumb|Duke and gonzo]] '''Raoul Duke''' is a fictional character and the protagonist in [[Hunter S. Thompson]]'s novel ''[[Fear and Loathing in Las Vegas]]''. The character is a semi-autobiographical representation of Thompson himself, often referred to as his alter ego. Raoul Duke is a [[journalist]] and [[author]] who embarks on a drug-fueled journey to [[Las Vegas]] with his attorney, Dr. Gonzo.
[[File:Duke and gonzo.png|thumb]] {{Infobox character
| name = Raoul Duke
| first = ''[[Fear and Loathing in Las Vegas]]''
| creator = [[Hunter S. Thompson]]
| occupation = Journalist
| gender = Male
}}
 
'''Raoul Duke''' is a fictional character and the protagonist in [[Hunter S. Thompson]]'s novel ''[[Fear and Loathing in Las Vegas]]''. Duke is a semi-autobiographical character, often considered a [[gonzo journalism]] alter ego of Thompson himself. The character is known for his wild, drug-fueled adventures and his cynical, satirical view of American society.


==Character Overview==
==Character Overview==
Raoul Duke is depicted as a [[gonzo journalism|gonzo journalist]], a style of journalism that blends factual reporting with fictional elements and personal experiences. The character is known for his wild behavior, substance abuse, and cynical outlook on life. Duke's adventures are often chaotic and surreal, reflecting the countercultural movements of the 1960s and 1970s.
Raoul Duke is depicted as a journalist who embarks on a journey to [[Las Vegas]] with his attorney, Dr. Gonzo, to cover a motorcycle race for a magazine. The trip quickly devolves into a chaotic exploration of the American Dream, fueled by a vast array of drugs and alcohol. Duke's narrative is characterized by his hallucinatory experiences and his critical observations of the culture and politics of the 1970s.
 
==Literary Significance==
Raoul Duke is a central figure in the genre of [[gonzo journalism]], a style of journalism that blends factual reporting with fictional elements and personal narrative. This style was pioneered by Thompson, and Duke serves as a vehicle for Thompson's commentary on society. The character's adventures in ''Fear and Loathing in Las Vegas'' are emblematic of the countercultural movements of the 1960s and 1970s, reflecting the disillusionment and hedonism of the era.


==In ''Fear and Loathing in Las Vegas''==
==Cultural Impact==
In ''[[Fear and Loathing in Las Vegas]]'', Raoul Duke is assigned to cover the [[Mint 400]] motorcycle race in Las Vegas. Accompanied by his attorney, Dr. Gonzo, Duke's journey quickly devolves into a series of drug-induced escapades. The novel explores themes of the American Dream, the decline of the 1960s counterculture, and the impact of [[drug culture]] on society.
Raoul Duke has become an iconic figure in American literature and popular culture. The character was famously portrayed by [[Johnny Depp]] in the 1998 film adaptation of ''Fear and Loathing in Las Vegas'', directed by [[Terry Gilliam]]. Depp's portrayal further cemented Duke's status as a symbol of the counterculture and the excesses of the American Dream.


==Portrayals in Media==
==Themes==
Raoul Duke has been portrayed by several actors in various adaptations of Thompson's work. The most notable portrayal is by [[Johnny Depp]] in the 1998 film adaptation of ''Fear and Loathing in Las Vegas'', directed by [[Terry Gilliam]]. Depp's performance is widely regarded as a faithful representation of Thompson's alter ego.
The character of Raoul Duke explores several themes, including:


==Influence and Legacy==
* '''The American Dream''': Duke's journey is a satirical examination of the American Dream, highlighting its contradictions and the disillusionment of the 1970s.
Raoul Duke has become an iconic figure in [[American literature]] and [[pop culture]]. The character embodies the spirit of rebellion and nonconformity, resonating with readers and audiences who identify with the countercultural ethos. Duke's influence extends beyond literature, impacting music, film, and art.
* '''Drug Culture''': Duke's extensive drug use is a central element of the narrative, serving as both a literal and metaphorical lens through which he views the world.
* '''Counterculture''': Duke embodies the spirit of the countercultural movements, challenging societal norms and authority.


==Related Pages==
==Also see==
* [[Hunter S. Thompson]]
* [[Hunter S. Thompson]]
* [[Fear and Loathing in Las Vegas]]
* [[Fear and Loathing in Las Vegas (film)]]
* [[Gonzo journalism]]
* [[Gonzo journalism]]
* [[Johnny Depp]]
* [[Terry Gilliam]]
* [[American literature]]
* [[Counterculture of the 1960s]]
* [[Counterculture of the 1960s]]


==Categories==
{{Hunter S. Thompson}}
[[Category:Literary characters]]
{{Fear and Loathing}}
[[Category:Hunter S. Thompson]]
 
[[Category:Fictional journalists]]
[[Category:Fictional journalists]]
[[Category:American literature]]
[[Category:Hunter S. Thompson characters]]
[[Category:Counterculture of the 1960s]]
[[Category:Literary characters introduced in 1971]]
 
{{Literature-stub}}

Revision as of 00:45, 9 December 2024

File:Duke and gonzo.png

Raoul Duke is a fictional character and the protagonist in Hunter S. Thompson's novel Fear and Loathing in Las Vegas. Duke is a semi-autobiographical character, often considered a gonzo journalism alter ego of Thompson himself. The character is known for his wild, drug-fueled adventures and his cynical, satirical view of American society.

Character Overview

Raoul Duke is depicted as a journalist who embarks on a journey to Las Vegas with his attorney, Dr. Gonzo, to cover a motorcycle race for a magazine. The trip quickly devolves into a chaotic exploration of the American Dream, fueled by a vast array of drugs and alcohol. Duke's narrative is characterized by his hallucinatory experiences and his critical observations of the culture and politics of the 1970s.

Literary Significance

Raoul Duke is a central figure in the genre of gonzo journalism, a style of journalism that blends factual reporting with fictional elements and personal narrative. This style was pioneered by Thompson, and Duke serves as a vehicle for Thompson's commentary on society. The character's adventures in Fear and Loathing in Las Vegas are emblematic of the countercultural movements of the 1960s and 1970s, reflecting the disillusionment and hedonism of the era.

Cultural Impact

Raoul Duke has become an iconic figure in American literature and popular culture. The character was famously portrayed by Johnny Depp in the 1998 film adaptation of Fear and Loathing in Las Vegas, directed by Terry Gilliam. Depp's portrayal further cemented Duke's status as a symbol of the counterculture and the excesses of the American Dream.

Themes

The character of Raoul Duke explores several themes, including:

  • The American Dream: Duke's journey is a satirical examination of the American Dream, highlighting its contradictions and the disillusionment of the 1970s.
  • Drug Culture: Duke's extensive drug use is a central element of the narrative, serving as both a literal and metaphorical lens through which he views the world.
  • Counterculture: Duke embodies the spirit of the countercultural movements, challenging societal norms and authority.

Also see

Template:Hunter S. Thompson Template:Fear and Loathing