Begotten: Difference between revisions
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{{ | {{Infobox film | ||
| name = Begotten | |||
| director = [[E. Elias Merhige]] | |||
{{ | | producer = [[E. Elias Merhige]] | ||
| writer = [[E. Elias Merhige]] | |||
| starring = Brian Salzberg, Donna Dempsey, Stephen Charles Barry | |||
| music = Evan Albam | |||
| cinematography= [[E. Elias Merhige]] | |||
| editing = [[E. Elias Merhige]] | |||
| released = 1990 | |||
| runtime = 72 minutes | |||
| country = United States | |||
| language = Silent | |||
}} | |||
'''''Begotten''''' is a 1990 American [[experimental film]] directed, produced, and written by [[E. Elias Merhige]]. The film is known for its disturbing imagery, lack of dialogue, and unconventional narrative. It features a unique visual style, characterized by its high-contrast black-and-white cinematography, which was achieved through painstaking frame-by-frame processing. | |||
==Plot== | |||
The film opens with a harrowing scene featuring a character known as "God Killing Himself." The narrative then transitions to focus on "Mother Earth," who emerges from the remains of God. She brings forth a son, "Son of Earth – Flesh on Bone," and the remainder of the film details their interactions with a group of nomadic figures and the ensuing brutal and surreal events. | |||
==Themes and Interpretation== | |||
''Begotten'' deals with themes of creation, destruction, and the cyclical nature of existence. The film is often interpreted as a commentary on the human condition and the fundamental aspects of life and death. Its abstract and symbolic content allows for multiple interpretations, making it a subject of study and discussion in film theory and [[philosophy]]. | |||
==Production== | |||
The production of ''Begotten'' was notably rigorous, with Merhige handling many aspects of the filmmaking process. The distinctive visual style was created by re-photographing, scratching, and manipulating strips of film, which contributed to the movie's eerie and otherworldly atmosphere. | |||
==Reception== | |||
Upon its release, ''Begotten'' received mixed reviews. Critics praised its visual style and originality but were divided on its accessibility and narrative coherence. The film has since gained a cult following and is appreciated for its avant-garde approach and its influence on later experimental filmmakers. | |||
==Legacy== | |||
''Begotten'' has influenced a range of visual artists and filmmakers who are interested in the boundaries of the film medium. Its impact is particularly noted in the realms of [[horror film|horror]] and experimental cinema, where it continues to be referenced for its innovative techniques and its exploration of existential themes. | |||
==See also== | |||
* [[Experimental film]] | |||
* [[Horror film]] | |||
* [[E. Elias Merhige]] | |||
[[Category:1990 films]] | |||
[[Category:American films]] | |||
[[Category:Experimental films]] | |||
[[Category:Horror films]] | |||
[[Category:Black-and-white films]] | |||
{{film-stub}} | |||
Latest revision as of 21:01, 7 August 2024
Begotten is a 1990 American experimental film directed, produced, and written by E. Elias Merhige. The film is known for its disturbing imagery, lack of dialogue, and unconventional narrative. It features a unique visual style, characterized by its high-contrast black-and-white cinematography, which was achieved through painstaking frame-by-frame processing.
Plot[edit]
The film opens with a harrowing scene featuring a character known as "God Killing Himself." The narrative then transitions to focus on "Mother Earth," who emerges from the remains of God. She brings forth a son, "Son of Earth – Flesh on Bone," and the remainder of the film details their interactions with a group of nomadic figures and the ensuing brutal and surreal events.
Themes and Interpretation[edit]
Begotten deals with themes of creation, destruction, and the cyclical nature of existence. The film is often interpreted as a commentary on the human condition and the fundamental aspects of life and death. Its abstract and symbolic content allows for multiple interpretations, making it a subject of study and discussion in film theory and philosophy.
Production[edit]
The production of Begotten was notably rigorous, with Merhige handling many aspects of the filmmaking process. The distinctive visual style was created by re-photographing, scratching, and manipulating strips of film, which contributed to the movie's eerie and otherworldly atmosphere.
Reception[edit]
Upon its release, Begotten received mixed reviews. Critics praised its visual style and originality but were divided on its accessibility and narrative coherence. The film has since gained a cult following and is appreciated for its avant-garde approach and its influence on later experimental filmmakers.
Legacy[edit]
Begotten has influenced a range of visual artists and filmmakers who are interested in the boundaries of the film medium. Its impact is particularly noted in the realms of horror and experimental cinema, where it continues to be referenced for its innovative techniques and its exploration of existential themes.
See also[edit]
