William Hogarth: Difference between revisions

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[[File:The_Painter_and_His_Pug_by_William_Hogarth.jpg|thumb|The_Painter_and_His_Pug_by_William_Hogarth]] [[file:William_Hogarth_by_Roubiliac,_1741,_National_Portrait_Gallery,_London.JPG|right|thumb|William_Hogarth_by_Roubiliac,_1741,_National_Portrait_Gallery,_London]] [[file:William_Hogarth_-_The_South_Sea_Scheme.png|right|thumb|William_Hogarth_-_The_South_Sea_Scheme]] [[file:HogarthWanstead.jpg|thumb|HogarthWanstead]] [[file:William_Hogarth_-_Self-Portrait_-_Google_Art_Project.jpg|thumb|William_Hogarth_-_Self-Portrait_-_Google_Art_Project]] [[file:The_Rake's_Progress_8.jpg|thumb|The_Rake's_Progress_8]] [[file:Marriage_A-la-Mode_4,_The_Toilette_-_William_Hogarth.jpg|thumb|Marriage_A-la-Mode_4,_The_Toilette_-_William_Hogarth]] {{short description|English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist}}
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[[File:The_Painter_and_His_Pug_by_William_Hogarth.jpg|left|thumb|The_Painter_and_His_Pug_by_William_Hogarth]] [[file:William_Hogarth_by_Roubiliac,_1741,_National_Portrait_Gallery,_London.JPG|right|thumb|William_Hogarth_by_Roubiliac,_1741,_National_Portrait_Gallery,_London]] [[file:William_Hogarth_-_The_South_Sea_Scheme.png|left|thumb|William_Hogarth_-_The_South_Sea_Scheme]] [[file:HogarthWanstead.jpg|thumb|HogarthWanstead]] [[file:William_Hogarth_-_Self-Portrait_-_Google_Art_Project.jpg|thumb|left|William_Hogarth_-_Self-Portrait_-_Google_Art_Project]] [[file:The_Rake's_Progress_8.jpg|thumb|The_Rake's_Progress_8]] [[file:Marriage_A-la-Mode_4,_The_Toilette_-_William_Hogarth.jpg|thumb|Marriage_A-la-Mode_4,_The_Toilette_-_William_Hogarth]]


'''William Hogarth''' (10 November 1697 – 26 October 1764) was an [[England|English]] [[painter]], [[printmaker]], [[pictorial satirist]], [[social critic]], and [[editorial cartoonist]]. He is best known for his series of satirical and moralistic works, including ''[[A Harlot's Progress]]'', ''[[A Rake's Progress]]'', and ''[[Marriage A-la-Mode]]''.
'''William Hogarth''' (10 November 1697 – 26 October 1764) was an [[England|English]] [[painter]], [[printmaker]], [[pictorial satirist]], [[social critic]], and [[editorial cartoonist]]. He is best known for his series of satirical and moralistic works, including ''[[A Harlot's Progress]]'', ''[[A Rake's Progress]]'', and ''[[Marriage A-la-Mode]]''.
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[[Category:Editorial cartoonists]]
[[Category:Burials at St Nicholas Church, Chiswick]]
[[Category:Burials at St Nicholas Church, Chiswick]]
 
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Latest revision as of 15:00, 18 November 2024


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William_Hogarth_-_Self-Portrait_-_Google_Art_Project
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Marriage_A-la-Mode_4,_The_Toilette_-_William_Hogarth

William Hogarth (10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. He is best known for his series of satirical and moralistic works, including A Harlot's Progress, A Rake's Progress, and Marriage A-la-Mode.

Early Life[edit]

Hogarth was born in London to Richard Hogarth, a schoolteacher and textbook writer. His early education was limited, and he was largely self-taught. He was apprenticed to a silver engraver at a young age, which provided him with the skills that would later be crucial in his career as a printmaker.

Career[edit]

Hogarth began his career as an engraver, producing book illustrations and other commercial work. His first major success came with the publication of A Harlot's Progress in 1732, a series of six paintings that were later turned into popular engravings. This was followed by A Rake's Progress in 1735 and Marriage A-la-Mode in 1743-1745.

Major Works[edit]

  • A Harlot's Progress - This series depicts the downfall of a young woman who moves to London and becomes a prostitute.
  • A Rake's Progress - This series follows the decline of Tom Rakewell, a wealthy heir who squanders his fortune on a life of debauchery.
  • Marriage A-la-Mode - This series satirizes the practice of arranged marriages among the wealthy.

Style and Technique[edit]

Hogarth's works are characterized by their detailed narrative style and their focus on contemporary social issues. He often used his art to criticize the moral and social shortcomings of his time. His paintings and engravings are notable for their vivid characters and intricate compositions.

Legacy[edit]

Hogarth's influence extended beyond his lifetime, impacting both the art world and social commentary. His works are considered precursors to the modern comic strip and graphic novel. He also had a significant influence on later artists, including Francisco Goya and Honoré Daumier.

Personal Life[edit]

Hogarth married Jane Thornhill, daughter of the artist James Thornhill, in 1729. The couple had no children. Hogarth was known for his charitable work and was a founding member of the Foundling Hospital in London.

Death[edit]

William Hogarth died on 26 October 1764 and was buried in the churchyard of St. Nicholas's Church in Chiswick, London.

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