Cross-dressing: Difference between revisions
CSV import Tags: mobile edit mobile web edit |
CSV import Tags: mobile edit mobile web edit |
||
| Line 30: | Line 30: | ||
{{LGBT-stub}} | {{LGBT-stub}} | ||
<gallery> | |||
File:This-Is-The-Army_gals_(Broadway).jpg|This Is The Army gals (Broadway) | |||
File:Crossdressing_circa_1890_Frances_Benjamin_Johnston_(right).jpg|Crossdressing circa 1890 Frances Benjamin Johnston (right) | |||
File:Tale_of_Genji_(Genji_monogatari)_(CBL_J_1038.1).jpg|Tale of Genji (Genji monogatari) | |||
File:MFA_PELIKE_04.jpg|MFA PELIKE 04 | |||
File:Lady_Bunny_and_Sherry_Vine_by_David_Shankbone.JPG|Lady Bunny and Sherry Vine by David Shankbone | |||
File:1896_DanLeno-WidowTwankey.jpg|1896 Dan Leno Widow Twankey | |||
File:RebeccaRiots.gif|Rebecca Riots | |||
File:vanessatv.jpg|Vanessa TV | |||
</gallery> | |||
Latest revision as of 00:55, 27 February 2025
Cross-dressing refers to the act of wearing clothing and other accoutrements commonly associated with the opposite sex within a particular society. Cross-dressing has been used for purposes of disguise, comfort, and self-expression in many contexts and cultures throughout history. The reasons behind cross-dressing are as varied as the individuals who engage in it, ranging from artistic or theatrical expression, personal comfort, gender identity exploration, and social or political protest, to name a few.
History[edit]
The history of cross-dressing is long and varied, with instances recorded in ancient texts, mythology, and historical accounts. In many cultures, cross-dressing has been a feature of religious or ceremonial practices. For example, in ancient Greece, men played the roles of women in theatrical productions, a practice that was also common in Shakespearean England. Ancient Rome had festivals like the Saturnalia, where gender roles were temporarily reversed. In some Native American cultures, Two-Spirit individuals, who might today be recognized under the broad umbrella of transgender or non-binary, traditionally performed roles and wore clothing associated with both men and women.
Social and Cultural Aspects[edit]
The social and cultural implications of cross-dressing are complex and vary widely between different societies and historical periods. In some cultures, cross-dressing is accepted and even celebrated, while in others, it may be met with disdain or punishment. The perception of cross-dressing is often tied to societal norms regarding gender, sexuality, and conformity.
In contemporary times, cross-dressing is often associated with the LGBTQ+ community, particularly with transgender individuals and drag performers. However, not all people who cross-dress identify as LGBTQ+, nor do all transgender individuals engage in cross-dressing. The distinction between cross-dressing for performance or entertainment (such as drag) and cross-dressing as a reflection of one's gender identity is significant, with the latter being a deeply personal and sometimes private matter.
Legal and Political Issues[edit]
Cross-dressing has also been a focal point in legal and political debates, particularly concerning the rights of transgender and gender non-conforming individuals. Laws and policies regarding dress codes, public decency, and gender identity can significantly impact the lives of those who cross-dress. In some jurisdictions, anti-cross-dressing laws have been used to target and discriminate against the LGBTQ+ community, leading to calls for legal reform and greater protections under the law.
Psychology[edit]
From a psychological perspective, cross-dressing is not considered a mental disorder. The American Psychiatric Association removed "transvestism" from the Diagnostic and Statistical Manual of Mental Disorders (DSM) in its fifth edition (DSM-5), reflecting a broader understanding of gender diversity and the distinction between cross-dressing behavior and gender dysphoria.
See Also[edit]
References[edit]
<references/>
-
This Is The Army gals (Broadway)
-
Crossdressing circa 1890 Frances Benjamin Johnston (right)
-
Tale of Genji (Genji monogatari)
-
MFA PELIKE 04
-
Lady Bunny and Sherry Vine by David Shankbone
-
1896 Dan Leno Widow Twankey
-
Rebecca Riots
-
Vanessa TV
